“The problem isn’t that you don’t want to serve God. Most of you do want to serve God. That’s not the problem. The problem is that you want to serve God…and your girlfriends, and yourselves, and your parents, and your pride, and your grades, and your jobs. How can you serve your God if you’re also serving everything else?”—Pastor Gordon Huang, What is Worship? (via risingofthesun)
Lead singer Jon Foreman was asked if Switchfoot is a “Christian” band. His response is worth pondering.
“To be honest, this question grieves me because I feel that it represents a much bigger issue than simply a couple SF tunes. In true Socratic form, let me ask you a few questions: Does Lewis or Tolkien mention Christ in any of their fictional series? Are Bach’s sonata’s Christian? What is more Christ-like, feeding the poor, making furniture, cleaning bathrooms, or painting a sunset? There is a schism between the sacred and the secular in all of our modern minds.
The view that a pastor is more ‘Christian’ than a girls volleyball coach is flawed and heretical. The stance that a worship leader is more spiritual than a janitor is condescending and flawed. These different callings and purposes further demonstrate God’s sovereignty.
Many songs are worthy of being written. Switchfoot will write some, Keith Green, Bach, and perhaps yourself have written others. Some of these songs are about redemption, others about the sunrise, others about nothing in particular: written for the simple joy of music.
None of these songs has been born again, and to that end there is no such thing as Christian music. No. Christ didn’t come and die for my songs, he came for me. Yes. My songs are a part of my life. But judging from scripture I can only conclude that our God is much more interested in how I treat the poor and the broken and the hungry than the personal pronouns I use when I sing. I am a believer. Many of these songs talk about this belief. An obligation to say this or do that does not sound like the glorious freedom that Christ died to afford me.
I do have an obligation, however, a debt that cannot be settled by my lyrical decisions. My life will be judged by my obedience, not my ability to confine my lyrics to this box or that.
We all have a different calling; Switchfoot is trying to be obedient to who we are called to be. We’re not trying to be Audio A or U2 or POD or Bach: we’re trying to be Switchfoot. You see, a song that has the words: ‘Jesus Christ’ is no more or less ‘Christian’ than an instrumental piece. (I’ve heard lots of people say Jesus Christ and they weren’t talking about their redeemer.) You see, Jesus didn’t die for any of my tunes. So there is no hierarchy of life or songs or occupation only obedience. We have a call to take up our cross and follow. We can be sure that these roads will be different for all of us. Just as you have one body and every part has a different function, so in Christ we who are many form one body and each of us belongs to all the others. Please be slow to judge ‘brothers’ who have a different calling.”
I love this. A Christian worldview changes how I see all things: people, art, music, culture, films, occupations, school, etc. None of these things need to have a Christian tagline for me to affiliate myself with them. I love Jon Foreman and really appreciate how he answered this question.
“We wear clothes, and speak, and create civilizations, and believe we are more than wolves. But inside us there is a word we cannot pronounce and that is who we are.”—Anthony Marra, A Constellation of Vital Phenomena (via h-o-r-n-g-r-y)
“We do our very best, but sometimes it’s just not good enough. We buckle our seatbelts, we wear a helmet, we stick to the lighted paths, we try to be safe. We try so hard to protect ourselves, but it doesn’t make a damn bit of difference. Cause when the bad things come, they come out of nowhere. The bad things come suddenly, with no warning. But we forget that sometimes that’s how the good things come too.”—Meredith Grey - ‘Readiness Is All’ (Season 9, Episode 23)
all women were bigger and stronger than you
and thought they were smarter
women were the ones who started wars
too many of your friends had been raped by women wielding giant dildos
and no K-Y Jelly
the state trooper
who pulled you over on the New Jersey Turnpike
was a woman
and carried a gun
the ability to menstruate
was the prerequisite for most high-paying jobs
your attractiveness to women depended
on the size of your penis
every time women saw you
they’d hoot and make jerking motions with their hands
women were always making jokes
about how ugly penises are
and how bad sperm tastes
you had to explain what’s wrong with your car
to big sweaty women with greasy hands
who stared at your crotch
in a garage where you are surrounded
by posters of naked men with hard-ons
men’s magazines featured cover photos
of 14-year-old boys
tucked into the front of their jeans
and articles like:
“How to tell if your wife is unfaithful”
“What your doctor won’t tell you about your prostate”
“The truth about impotence”
the doctor who examined your prostate
was a woman
and called you “Honey”
you had to inhale your boss’s stale cigar breath
as she insisted that sleeping with her
was part of the job
you couldn’t get away because
the company dress code required
you wear shoes
designed to keep you from running
And what if
after all that
women still wanted you
to love them.
For the Men Who Still Don’t Get It, written 20 years ago by Carol Diehl.
She wrote a post about the history of this poem that is worth reading.